Maussade – Trouver La Paix (C55, NSN)

harsh noise wall, Noise, Review

maussade trouver la paixMaussade is a project of NSN’s owner putting out harsh noise and harsh noise wall projects; various releases were or are still available, the most recent being in 2016 as far as I can tell. Trouver La Paix, a C55 from 2011, sees the artist performing the latter.

A punishing wall of static sound, this just-under-30 minute track (included on both sides) features searing bass tones and staccato swirls of crunchy textures, with the inclusion of a screechy feedback/trainhorn sound that I find seems to cut through the central area of the soundscape. Lots of background bass, foreground crackles, and that aforementioned pitched tone that continually ebbs and flows. This is a great track from Maussade that sounds quite full, and the nice thing about Trouver La Paix is that the listener can simply flip the tape to continue the onslaught.

GOOD ||||

Dead Body Collection – I Praise the Scars On Your Body (C30, Noir Sur Noir)

harsh noise, harsh noise wall, Review

i praise the scars on your body

By now, after a vast number of releases in the harsh noise wall genre, most people know whether they like Dead Body Collection’s version of mostly unchanging static. He’s been so prolific under this moniker that there are very few HNW labels that have not put out a DBC cassette. On I Praise the Scars On Your Body, the formula doesn’t change – just the sounds the go into the wall.

On the first side is “Your Pure Incorruptible Pain,” a searing track of fuzzy static that mixes with a bass rhythm deep in the mix. This isn’t a standard whitewash of sound, though; the static does have its own subtle nuance to it, and the bass in the back has a semblance of change throughout the nearly 15 minute running time. Dead Body Collection allows this track to feel stoic, although the close listener may be able to discern just the hint of alteration within the sound, almost like a song of its own attempting to escape a noise prison. Or that could be imagination.

“Kill Anything That Walks” is the second side, a surging track of up-front static and a roiling bass background. It’s difficult to tell what exactly is doing the shifting in this piece: it could be the static itself, but I almost believe that the bass has a wavering to it that causes a very interesting blur within the wall. I think this one is even better than “Your Pure Incorruptible Pain,” with the semblance of movement very apparent even when the wall itself doesn’t really shift at all. It does feel like the ending of this track cuts out some of the background texturing, but this could also be oversaturation to the sound.

Both tracks are really quite good on I Praise the Scars on Your Body, and if you’re looking for a quality Dead Body Collection tape and not sure where to begin in the vast collection, this is as good a place as any to begin listening. The textures are strong, and it also sticks sounds right in line with other releases.

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