Aderlating is part Gnaw Their Tongues and part Mowlaner, or Maurice de Jong and Eric Eijspaart respectively. They’re both coming from backgrounds well-versed in blackened noise and drone, and one look at the titles of the tracks on Gospel of the Burning Idols and the artwork on the fantastic digipak from Black Plagve and no one will mistake Aderlating for anything different.
And yet the sound on offer here is 40 minutes of more nuanced noise than might be expected. Aderlating still rely on some of the usual tactics, including building up their sound for explosive release and the gruff vocal delivery of the introductory track “Opening of the Tomb” (the best track on Gospel of the Burning Idols, by the way); but there’s also a careful consideration of volume and structure that adds much more to the tracks than simple blown-out guitar, synth, and machinery.
Of note are the drum tracks, which are quietened in the mix so as not to overwhelm. Aderlating’s percussion rhythms are quite complex and poly-rhythmic, like the choppy, cymbal-laden elements of “Spewed On By Slaves of Inhumanity.” But the droning, airy qualities of Gospel of the Burning Idols are also reasons to listen – not blasting at the listener, but slowly churning.
It’s a good release made even better by the thought put into the packaging. Both artists behind Aderlating are pros at this type of thing, but Gospel of the Burning Idols doesn’t rehash their styles. It’s bold and original, and enduringly dark.