Commingled Containers is the noise project of Paul Gremare and Romain Hebert, one the founder of label Autistic Campaign and the other the founder of Ikebukuro-Dada – both of which have been reviewed here in various forms. August Voyeurism is a lengthy excursion in improvisation, junk noise, and guitar squalls, an interesting mixture of ideas from the two musicians that finds the duo crafting six freeform noise tracks across the A and B side of this tape.
The juncture between the two artists is guitar noise – these tracks often feature some unveiled twangs and plucks of guitar strings before exploding into raging cacophony, as both “Welcome” and “August Voyeurism” quickly detail – a lot of feedback, scratchy electronics writhing, and occasionally the recognizable guitar drone and warble from Hebert. The duo create impressive and seemingly improvisational noise, often drifting from straight harsh noise into drone territory as the two lock into a groove between feedback and electronics.
Side B’s “U-Turn” launches into a sprawling crackle of decaying electronics, blustery static, and an overwhelming feedback tone that finds the duo working in excellent harmony – blending the electronics and guitars into a amalgamation where the result is a thoughtful, well-directed cacophony. “Aire nord de Vironvay (Côte Byzance)” similarly creates something of a harsh noise wall wherein heavy bass shudders combine with guitar histrionics.
Overall, this is a solid performance from Commingled Containers that offers up some great noise around an hour in length. The improvisational nature of these cuts makes them a delight to get lost in, to find the areas where the two artists merge and then break free of their interlocked sound.