Matthew Akers explores both the digital and analog side of synths on his tape for Out-Of-Body Records, A History of Arson. The cassette features a match that comes with inside the case, in case one decides that the music makes them want to go and commit a crime; but Akers’ music swells and vamps, instrumental songs that capture a light, or a flash in the darkness.
The first side of A History of Arson is somewhat uplifting. The rhythmic vamps of synth work in “A History of Arson Prologue” wash over the listener, a soundtrack to a climactic act to come. Akers works with repetition but adds key riffing to the context late in the track, a new synth beat that works off the staccato punctuation. It’s at odds with the opening to “Bad Wolf,” a melancholy dirge, but that quickly picks up into a Zombi-esque prog-synth rock session, completely with some fantastic programmed drums with just the right fade into the mix. “Bad Wolf” would fit right at home on an Italian giallo soundtrack from the ’80s, and indeed Akers’ work seems to hit that nostalgic itch.
Side B is the darker part of A History of Arson, opening with “Voyeur”‘s minor chord swells and a slight martial beat from the drums. “A History of Arson Epilogue” continues the brooding atmosphere with Akers’ sustained synth notes, while “Midnight in October” features a dance beat and busy note alternations.
A History of Arson is one of those rare gems, the kind of thing you might happen to stumble across on accident but get hooked on immediately. Matthew Akers’ synth scores – because that’s what they are – are suited for the movies you’d watch on a late night, with the wind blowing outside your door. The compositions are refreshingly original, and I look forward to hearing more of the artist’s work.