Street Sects is the duo Leo Ashline and Shaun Ringsmuth, performing loop-based noise/grindcore. It’s the sort of thing that works well when paired with the aggressive vocal delivery on this five minute 7″ record. The Morning After the Night We Raped Death is the first in a five-series set of LPs titled “Gentrification: A Serial Album,” and on this vinyl, you get the double-sided singles plus an insert with an essay.
The first track, “Bliss,” hammers away at the listener for just under two minutes. Street Sects define their motif on this track, punctuating moments with blurry, seared vocals. The loops are utilized to their full potential, at times stretched to give a 4/4 time signature while remaining significantly raucous, then switching to considerably faster speeds for a breakneck finish. It’s difficult to tell what is used for each loop; they kind of meld into one another, and some of them may be so damaged as to be indecipherable. But it’s fun to listen to “Bliss” and attempt to figure out what’s being used, whether it be a simple guitar line sped up and chopped or actual songs mangled up to form the basis of a new, noisier track.
Side B, “Fate On Her Knees,” is a little slower, a little less noisy. The first part of the track takes on an industrial march of sorts, the loops toned down to highlight the percussion over the mass of sound. There are a lot of vocal differences here, and I’m not sure if that’s due to manipulation – speeding up and slowing down pre-recorded vocals or something else entirely – but it makes a really interesting listen that, again, makes the audience wonder what’s going on behind what we can actually hear.
Street Sects is a wonderfully interesting project, and their five-part “Gentrification” series is well on its way. At this time, part two is done and up on their Bandcamp. In the meantime, you can check out both of those works here.