Mors Sonat – Comforts in Atrocity (CD, Crucial Blast)

Black Noise, dark ambient, doom metal, Drone, harsh noise, Noise, Review

comfort

From the opening track “Holy Holy Holy Nil,” Mors Sonat’s new album Comforts in Atrocity feels like it’s set up be a release full of dark doom metal – cello chords are scraped, guitar is fuzzed and drums are struck slowly, tenderly, and with a focus on cymbal tinkling. And yet the end of this track builds up to a huge crescendo of static that threatens to overtake the melancholy rhythm heard before – there are screams in the rumble and feedback in the electronics.

Comforts in Atrocity is not your average doom album, although you’ll often find those components within. Mors Sonat have a tendency to move from quiet ambiance to cacophony in a matter of seconds, and those climaxes are the best part of this album. But the duo of Mors Sonat aren’t always using the blown-out bass and static patterns of typical harsh noise; “Sanctuary in Soil” actually does feel like the listener might bet getting buried, slowly, with the sand making a perfect staccato against whatever wooden box we’re housed in.

These tracks are often matched up with louder ones; “The Vengeance of Embrace” is the longest on this release and also one of the most interesting as a straight-up noise track. It’s got huge bass drones and a pattering rhythm at the forefront, but it also has a ton of industrial sounds and whispered voices in the background – not overly harsh or off-putting, but complex with a hint of rhythm.

Mors Sonat’s tracks often feel like they could fit in multiple genres; “The Sweet Long Legs of Hate” has a nice droning groove to it, with off-key piano and a sustained chord leading the track throughout its length. Then, there’s an absolute crushing noise track after with “So Shall I Weep in Liberation Within the Ecstasy of Decay.” There’s something for everyone, and Mors Sonat do all of it well.

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