So far, I’m impressed by what it’s bringing to the table. Part drum solo fest, part destruction, it has equal parts of both that make it interesting in two layers.
Interesting to note how Masami Akita leaves some of his static-y ambience out of the songs, focusing on more of the drums and less on the noise at some points. I think that’s what’s different here than in his recent releases; he’s trying different things here, rather than just layers upon layers of surging, squealing undertones.
In other news, I am working on reviewing Matt Henshaw’s album Unfurled. I meant to listen to it at home on my nice stereo this weekend, where it should be properly listened to, but I didn’t get a chance. I’m still holding out for that opportunity.